About Yunbroidery
Yunbroidery is a research-based embroidery platform and analytical database founded by Meiyun Chang, an embroidery artist, researcher, and university professor.
The project explores the structural logic of hand embroidery and its potential relevance in contemporary practice and future research contexts.
Yunbroidery approaches embroidery not as a decorative craft, but as a form of visual intelligence—a structured cultural system that can be observed, analyzed, and translated.
Through long-term teaching, research, and practice, the project recognizes embroidery as a structural visual language composed of stitch paths, material movement, rhythm, and spatial logic. Many of these forms of knowledge, traditionally transmitted only through experience, are at risk of disappearing.
To address this, Yunbroidery focuses not only on completed works, but on the underlying processes of embroidery, including:
- stitch paths and sequencing
- thread movement between planar and spatial dimensions
- hidden systems of order, rhythm, and logic within patterns
Each embroidery work is studied through hand-drawn canvas diagrams and systematic visual analysis, recording stitch entry, exit, direction, and structural relationships. These analyses aim to transform tacit hand knowledge into readable, research-oriented structural data.
Yunbroidery treats embroidery as a technical culture that can be researched, structured, and engaged in dialogue with artificial intelligence, without reducing it to mechanized production. The goal is not to replace hand practice, but to preserve and extend the intelligence embedded in manual experience.
This is a long-term research project and evolving database intended for academic study, education, and future interdisciplinary applications.
Citation and Use
This website may be cited for academic, educational, and research purposes. Please credit: Yunbroidery – Embroidery Structure Database.
🔹 Founder
Meiyun Chang
Embroidery Artist · Researcher · University Professor
Her research focuses on global embroidery techniques, stitch structure analysis, and cultural preservation, with particular interest in how hand embroidery knowledge can be understood, documented, and re-positioned within contemporary art, academic research, and artificial intelligence contexts.